He had gone to all that trouble and then left so that we could discover it ourselves.” We walked into the most beautiful apartment I had ever seen in my life. I came home, and Mark and I walked in the front door, and the whole place was candlelit,” Minnelli said, recalling her very own Halston Home Makeover. So Halston told Minnelli to go out of town and forget about it. I trusted him.” When she bought her Manhattan apartment, she told the filmmaker that she was overwhelmed at the prospect of decorating such an expansive space. In the 2010 documentary Ultrasuede: In Search of Halston, Minnelli explained that Halston “was my big brother. Acknowledging the Halston design she was wearing, she told the New York Times, “It’s Halston vintage, 1975-and I think it is great to celebrate the first designer who put American fashion on the map.” Five years later, at the 1978 opening party for Halston’s Olympic Tower showroom, Minnelli strode down the runway performing “New York, New York” and handing a rose to Elizabeth Taylor as the grand finale.Įven 18 years after Halston’s death, when Halston’s brand was revived for a 2008 show in New York, Minnelli sat front row, cheered on the designs, and raved about her late friend to press. If he needed her to hop onstage and give his runway a little extra razzle-dazzle, she would do that too-memorably performing and choreographing an adaptation of “Bonjour Paris” for Halston’s “Battle of Versailles” fashion show in 1973, as depicted on the series. Halston dressed Minnelli for everything-whether it was her 1973 Oscar win for Cabaret (she wore a canary yellow gown), her films, or her stage shows, including Liza with a “Z.” (The creation of her red halter minidress is reimagined in episode one of Halston.) She, in turn, supported him both behind the scenes and in the front row at his fashion shows.
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